Ear Training, level 2B (Adduci)
Welcome to the MUSC 2B page!
Please choose one of the following sections:
- A collection of ear-training links from around the Web.
- The greensheet and other administrative documents
- Handouts given in class.
- Weekly homework assignments.
- extra dictation practice, taken from the Common-Practice literature.
Web Links
This section contains links to internet sites designed to help you with music theory and ear training. The Internet is a fantastic resource for self-driven learning!
- Cengage website: from here you can download the dictation software that comes on the CD for the 3rd edition Horvit dictation textbook. If you are having trouble with your CD, try getting the software from this website instead. Follow the link, then click on "Updated Resources & Help" on the left. The file is in .zip format, so you will need the free WinZip utility to open it.
- www.musictheory.net - interactive, self-grading practice on music fundamentals; also, you can print free staff paper here.
- www.metronomeonline.com - turn your computer into a metronome.
- www.teoria.com - an excellent resource - interactive lessons and dictation exercises.
- Online Flash games for ear training (in addition to the above). There are many simple pitch and rhythm games available online. Here are three websites that I like:
- Memory game (www.zefrank.com) - like the children's game Memory, you turn two cards over and try to find the matching pitches.
- Pitch matching (www.themelodymaster.com) - this game plays a pitch, and you must then find it on a virtual keyboard. I recommend also guessing the intervals you hear between pitches that the game plays, for an extra layer of ear training practice.
- Theta Music Trainer (www.trainer.thetamusic.com) - this website hosts dozens of musical games, from pitch to rhyhtm to intonation and beyond. Playing the games requires a free account, which gives access to the basic levels of each game. Purchasing a full account (around $50 per year) gives access to all levels, plus score tracking, etc. I recommend the "Parrot Phrases" and "Tonal Recall" in particular.
- The Interval Song, a YouTube video by Django Bates that illustrates all of the intervals between P1 and P8.
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Greensheet
This section includes the greensheet and any other class policy documents.
Left-click to view, right-click to download.
- Spring 2014 Greensheet
- Important note about your dictation textbook!
- The 4th edition of the Horvit text, "Music for Ear Training," is exactly the same as the 3rd edition, with only two changes:
- Page 4, #6-10 (Unit 1, Major and Minor Thirds, Quiz 2): these intervals have been changed in the 4th edition. We will not use this quiz in MUSC 2B.
- Unit 26 (examples from 20th century literature) has been added to the 4th edition. We will not use this unit in MUSC 2B.
- Apart from that, the two editions are identical. This means that you can use the 3rd edition text for this class, and also the third edition music software (see "Links" section, above).
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Handouts
This section contains copies of the informational handouts given in class.
- (1/27/14) Scales from Do, giving the solfege syllables for all scales required for MUSC 2B.
- (1/27/14) 1B Review: Diatonic and Chromatic Solfege Syllables
- (1/27/14) 1B Review: Intervals in Major (Complete) - including all intervals, not just those that start from "Do".
- (1/27/14) 1B Review: A handout listing well-known songs that use intervals of different sizes.
- (1/27/14) 1B Review: Beat and Eight Partials, showing the vocalization patterns for the first eight divisions of the beat.
- (1/27/14) 1B Review: Counting and Conducting Warm-up
- (1/29/14) Counting and Playing Independence Etude, providing a way to practice clapping one division while counting another out loud.
- (1/29/14) Metronome Exercises - placing the metronome click at different locations within the beat.
- (4/21/14) Fourths, Fifths, and Sixths in Major, an etude set for practicing larger leaps.
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Assignments
This section contains copies of each weekly assignment sheet,
showing what to practice for the following week.
- Assignment 1 (1/29/14, for the week of 2/3/14)
- Assignment 2 (2/5/14, for the week of 2/10/14)
- Group Dictation Projects, round 1 (2/10/14)
- Assignment 3 (2/12/14, for the week of 2/17/14)
- Assignment 4 (2/19/14, for the week of 2/24/14)
- The Midterm Exam! (singing portion)
- Assignment 5 (4/2/14, for the week of 4/7/14)
- Assignment 6 (4/10/13, for the week of 4/15/13)
- Assignment 7 (4/16/14, for the week of 4/21/14)
- 4/21/14 - Extra Credit Transcription Project (due 5/12/14)
- The Final Exam! (singing portion)
- Assignment 8 (4/30/14, for the week of 5/5/14)
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Welcome to the online dictation training area for MUSC 2B!
Below you will find several musical examples from the Common Practice repertoire (1600-1900) for you to practice transcribing. For each example, there is a recording (in .mp3 format), a dictation template (giving starting positions), and the solution (showing the correct transcription). The template and solution are in .jpg format (images) - they will look odd until you print them out.
For level 2B, the dictation exercises focus primarily on diatonic, four-part chorale style writing. Secondary harmonies and pivot-chord modulations are used.
To practice your four-voice dictation skills, first print out the template of an exercise, and then listen to the recording as many times as you want while you notate what you are hearing. Once you have written down as much of the example as you can, check yourself against the solution I have provided.
Try not to look at the solution until you have dictated absolutely everything you can hear - the point is to improve your skills, so if you constantly refer to the answer you won't get as much benefit from the exercise.
2B Dictation Exercises:
(left-click to view/open a file, right click to save or print it)
You need the free Quicktime plugin to play these .mp3 files.
Nintendo Section
This section features examples from the soundtracks of old 8-bit NES games. They make great dictation exercises, because they tend to have only four tracks ("voices") - melody, countermelody/harmony, bassline, and rhythm.
Start by trying to figure out the meter, and then the rhythm of each voice. Sometimes deciding on a time signature can be tricky - this music tends to use fairly complicated rhythms. However, most Nintendo music is in quadruple meter and can be notated in 4/4 time. If the meter is unclear, there are probably syncopations or quarter-note triplets being used.
This .pdf file is a blank template for all of the Nintendo exercises. Print the template out and use it for your dictation practice.
- Rush 'n' Attack - Stage 1 - this is a very interesting track with a lot of different sections.
- The Legend of Zelda 2 - Cave - there are some interesting dissonances in this one, and a lot of syncopation.
Classical and Film Section
- Two-Voice Examples:
- J.S. Bach: March, BWV Anh 123, from the Notebook for Anna Magdalena Bach (1725)
- Medium: harpsichord (D Major; 2o harmonies; modulates to A Major and back).
- NOTE: This recording is at Baroque pitch (A=415 Hz), so it sounds a half step below the written key. Concentrate on your solfege.
- Template
- Recording
- Solution
- J.S. Bach: Minuet, BWV Anh 114, from the Notebook for Anna Magdalena Bach (1725)
- Medium: harpsichord (G Major; 2o harmonies; tonicizes D Major but does not modulate).
- NOTE: This recording is at Baroque pitch (A=415 Hz), so it sounds a half step below the written key. Concentrate on your solfege. Also, ignore the ornaments - the ornamentation shown in the solution is what the performer does the first time through each section. This recording also contains the companion g minor minuet, BWV Anh 115.
- Template
- Recording
- Solution
- Four-Voice Examples:
- Palestrina: "Sanctus" from Missa Aeterna Christi Munera
- J.S. Bach: Chorale No. 52 from St. John Passion, BWV 245
- J.S. Bach: Chorale No. 10 from St. Matthew Passion, BWV 244
- Medium: SATB choir with instrumental doublings (A-flat Major; 2o harmonies; modulates to f minor and back; borrowed chords).
- Template
- Recording
- Solution
- ***Difficult*** F.J. Haydn: String Quartet in G Minor, Op. 74 No. 3, "The Horseman," second movement
Enjoy, and check back for more exercises!
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