Micah Palmer | 11/20/11 | English 112B |
Are
You Relevant?
An
Annotated Bibliography of Dystopian Novels
The
thematic focus of my annotated bibliography is the unique and important role of
the individual in the world and how one person can make a difference. I chose
to approach this theme from the standpoint of the dystopian novel because this
genre typically involves the protagonist�s conflict with an extremely unjust
and oppressive society.
The
centerpiece of my discussion is Franz Kafka�s The Castle, which is a canonical text that portrays the
protagonist�s frustration, confusion, and inability to relate to the
bureaucratic caste society he lives in. The irrationality of secondary
characters mimics many of the shortcomings of contemporary societies where the
bourgeoisie and the proletariat classes are so detached from one another because
of an internalized sense of superiority or inferiority. The Young Adult novel I
chose to complement this canonical work is Aldous Huxley�s Brave New World, which actually divides the characters into classes
that directly define their role in the world and becomes, through �hypnopaedia,� an internalized and seemingly natural form of
identity for the characters. The humanity of the characters in both The Castle and Brave New World is compromised by an overzealous power structure
that conditions people into a homogenous mix of ignorance and compliance.
Individuality is superseded by the power figures� desire for an obedient and
ordered society that facilitates support for a particular political, social,
and economical agenda.
By portraying the flawed morality and principles of fictitious
worlds, dystopian novels draw parallels that highlight the imperfections that
exist in the real world. This annotated bibliography references several novels
that ask the reader—particularly the young adult—to consider his
existential relevance and identify the role he plays in confronting injustice
and improving the world for the betterment of all humanity.
Dystopian Novels
Anderson, M.T. Feed.
Massachusetts: Candlewick Press, 2002. Print.
The
futuristic environment of this novel portrays the dangers of a world driven by
extreme consumerism, blatant advertisement, and subconscious �corporate
communication.� The parallels between the world of Feed and today�s globalized culture are evident with the seemingly
omnipresent technology in our daily lives, and the concerns raised by Anderson
convey a sense of immediacy for a renouncing of technological dependence and
fixation. Anderson�s satirical approach to writing about the onset of a reality
defined by marketers and business agendas offers an entertaining yet cautionary
look at the devolving individuality that is being created by the media and
furthered by human complacency and apathy.
Beckett, Bernard. Genesis.
2006. New York: Houghton Mifflin Harcourt, 2009. Print.
As the title implies, Genesis
is a story about the origins of life as well as what it means to be human.
Topics such as genetic engineering, artificial intelligence, and free will
underpin the theme of humanity being compromised by desires for security and
the fear of difference. The background of the world of Genesis focuses on the
histories of 21st century wars that have led to the development of
The Republic—a tongue-in-cheek reference to Plato�s utopian
ideologies—where the residents are safe from the global plague that has
beset the post-apocalyptic world, yet still enslaved by fear and class
oppression. The idea of being safe is contrasted with the idea of being free,
and the themes of Genesis point out
the concepts that truly threaten the virtues that separate humanity from
animals and machines.
Lowry, Lois. The Giver.
New York: Dell-Laurel Leaf, 1993. Print.
The Giver portrays a society that strives to be a utopia by creating
homogeny among the people. This �sameness� causes emotionally shallow
individuals who have lost all sense of the human elements, even pain and
strife. In fact, the elimination of suffering is the key aspect to what the society
deems a utopian concept; yet, as the story progresses it is evident that
without suffering there can also be no joy, no love, and no free will. Through
the protagonist, Jonas, Lowry poses an insightful question: is life better when
you�re the same as everyone else, with no worry of failure or pain, or is life
more meaningful when you�re free to experience all the ups and downs? This
novel is educational for the young adult reader in that it confronts the
aspects of life that many wish could be avoided, but which truly define what it
means to be human. It is a dystopian novel precisely because it portrays a
false utopia that diminishes individuality and limits a fully human experience.
Doctorow, Cory. Little
Brother. New York: Tom Doherty Associates, 2008. Print.
This novel depicts the post-9/11 American society that is
plagued with fear, suspicion, and government surveillance. The setting for the
novel is San Francisco, and the Department of Homeland Security�s efforts to
ensure public safety and thwart terrorism has turned the city into a police
state. The political subtext of Little
Brother encourages the need for more intervention in government agendas in
order to ensure that privacy and civil liberties are protected. The teenage protagonist,
Marcus, acts as a hero fighting against injustice and oppression, and he
reveals the ability as well as the duty of the younger generation to fight
against a system that threatens to subvert freedom by espousing fear mongering.
The relevance of this novel to contemporary American culture makes it an
excellent choice for educating young adults of the impact that one person can
have in ensuring the protection of individual rights in such a fearful time in
history.
McNaughton, Janet. The Secret Under My Skin. 2000. New York: HarperCollins,
2005.
Print.
In contrast to many other dystopian novels that portray a
hyperbolized version of a technology-based world, such as MT Anderson�s Feed, McNaughton describes a futuristic
world that condemns technology after the world is essentially destroyed by the
pollution from a �technocaust.� The lack of
technological dangers, however, creates a different type of world that is
equally oppressive and dangerous to democracy, freedom, and individuality. In
fact, technology actually becomes the saving grace for the protagonist, Blay Raytee, as she begins
reading and interpreting scientific data from the past that assists her in
discovering the truth about her world as well as herself. Alls
not what it seems in her world, and this theme of discovering truth amidst the
lies contrived by a government seeking to retain power through fear and
confusion offers insightful advice about making judgments based on personal
experience and knowledge rather than propaganda.
Dunkle, Clare B. The Sky Inside. New York: Simon and Schuster, 2008. Print.
Like Janet McNaughton�s The
Secret Under My Skin, Dunkle�s novel encourages
self-discovery and knowledge as a means of conquering government-induced
oppression. The story discusses despotism by portraying a world that is
seemingly perfect and utopian only to the extent that it isolates suburban
families from the proclaimed dangers of the outside world. The protagonist, Martin,
has a genetically-engineered sister who is a
commoditized �Wonder Baby,� and because of the unintended level of intelligence
of these babies, they are being recalled and destroyed. Martin�s love for his
sister turns into a desire to save her from her fate, and what ensues is an
attempt to escape the �normal� world of their sheltered existence and find out
the truth of the world outside. The reality that Dunkle
creates acts as a mirror of the isolated realities we live in while attempting
to avoid the fear of the unknown. Her novel encourages the young adult reader
to ask questions that may be unpopular, even censored, but which hold the key
to better understanding the world at large so that changes can be made to
secure a better future for everyone.
Shusterman, Neal. Unwind. New
York: Simon and Schuster, 2007. Print.
This
novel captures the persistence of three teenagers who are rebelling against the
status quo in order to maintain some sense of morality in a world set on
harvesting body parts from �unwanted� teenagers between the ages of 13 and 18. The
teenage protagonists offer relativity for young adult readers and the plotline
encourages speaking out and defending one�s beliefs in the face of oppression. Unwind offers a concise look at the
impact of a world run by adults who exploit the younger, weaker, and more admonished
generation for their benefit. It asks the reader to consider the implications
of what it means to be a teenager in a world where they are given no real
rights or independence until their 18th birthday.
Kafka, Franz. The
Castle. 1935. New York: Schocken Books, 1998.
Print.
A canonical text that serves as a fundamental look at the
individual�s conflict with the nameless, faceless elite that govern
societies, Franz Kafka�s The Castle
is an extremely well-written and clever text that conveys the injustice and
frustration of being excluded from participation or even knowledge of the
agendas of authoritative figures. This story of bureaucracy, caste-systems, and
abuse of power is depressing at times, as the protagonist, K., never truly
succeeds in his pursuit of answers. However, the story can also be quite
comical as it becomes more and more evident how ridiculous the society is in
its operation. The issues that arise from K.�s attempts to find practicality
and relevance in a chaotic system of the powerful and the powerless suggests
that the modern world is in danger of becoming a systemized form of procedures,
assumptions, and subservience without any questioning of reason or meaning.
This novel inspires contempt for living a life that caters to the needs and
agendas of unidentifiable authority figures bent on keeping the public
submissive and passive through endless paperwork. By pointing out the idiocy of
such a mechanized form of existence, Kafka appears to be encouraging less dependence
on authority figures for the freedom to carry on with life, and emphasizing the
pursuit of passion and happiness without worrying about affirmations from
others. This is truly a theme that will resonate with young adult readers who
might often feel weighed down by the responsibilities and agendas espoused by
their parents, teachers, counselors, and anyone else in a position of
authority.
Huxley, Aldous. Brave
New World. 1932. New York: HarperCollins, 1998. Print.
Huxley�s novel has been used as an archetype for what a
dystopian society consists of. The idealized concepts that are aimed at
creating a utopian society in Brave New
World are ironically the same ideologies that plunge the fictitious setting
of The World State into oppression, immorality, and ignorance—notably
undesirable aspects. By portraying a world that is monitored, manipulated, and
censored, Huxley cautions against the desire for perfection through technology,
science, and indoctrination. Though the modern world may not be perfect,
attempts to create a perfect society that is ordered by suppression of free
will and human nature will only further destroy any hope for a better world. To
suggest that governments and science know what is best for humanity is to
relinquish personal responsibility and the morality inherent in all of us.
Though the novel is controversial for many reasons, including its depictions of
sex among minors, Brave New World is
an appropriate novel for young adults because it offers important insights into
the value of human emotions and moral virtues when attempting to improve the
current situation of the world. Sometimes the human element is forgotten when
believing that technology and science offer the promise of a better life, but
Huxley�s novel reminds us that happiness and satisfaction come from intimate
relationships and compassion—elements that are lacking in The World
State.
Goodman, Allegra. The Other Side of the Island. New York: Penguin Group, 2008.
Print.
Goodman�s novel captures the common desire to fit in with
others, and the anxiety of having a family that is seemingly at odds with the
norm. The protagonist, Honor Greenspoon, desperately
tries to blend in while living in a manufactured world where nature is created
and manipulated and such small details like children�s names
are strictly regulated by the �Corporation.� Her parents� refusal to
conform threatens their lives, and when they disappear, Honor must find the
courage to stand up for what is right and rebel against a seemingly impervious
system of control. In The Other Side of
the Island, Goodman asks the reader to consider what is truly oppressing
the individual: Corporate control, or personal fear? This novel is perfect for
young adult readers because it encourages the new generation to consider the
effects that today�s issues, like global warming, will have on the future. By
doing so, Goodman is creating personal awareness that is essential to fostering
independent thought.